Sport und Spannung im Prozess der Zivilisation     

Norbert Elias  Eric Dunning  Michael Krüger 《Sportwissenschaft》2003,33(4):473-478

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Research abstracts     

Eric Plotnick 《Educational technology research and development : ETR & D》2001,49(3):126-128

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STATISTICAL DIVERSIONS     

Peter Petocz  Eric Sowey 《Teaching Statistics》2009,31(3):93-96

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The Ontology of Material Objects     

Eric T. Olson 《Philosophical Books》2002,43(4):292-299

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The neurobiology of language: Practical applications   总被引：1，自引：1，他引：0  

Eric H. Lenneberg 《Annals of dyslexia》1970,20(1):7-13

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Valuing the Arts: A Contingent Valuation Approach   总被引：5，自引：3，他引：2  

Eric Thompson  Mark Berger  Glenn Blomquist  Steven Allen 《Journal of Cultural Economics》2002,26(2):87-113

Government funding of the arts has received considerable attention in the United States in recent years. Efforts to cut funding to the National Endowment for the Arts and declining budgets for state arts agencies have raised questions about how much individuals value the arts. This paper applies the contingent valuation method to assess this value, using surveys of random households and of arts patrons. Our analysis estimated a mean willingness to pay (WTP) among all Kentucky households from $6 to$27, depending on the estimation technique used and on whether the scenario discussed is to increase arts performances by 25 per cent, or to avoid a 25per cent or 50 per cent decrease in the number of performances. Among arts patron households, the mean WTP ranges from $61 to $132.Consumer demand for arts performances in large part follows a predictable pattern. The likelihood of respondents agreeing to make the donation that is requested rises as the size of the donation decreases. The likelihood is higher to avoid a 50 per cent decline in performances than to avoid a 25 percent decline in performances. The mean WTP rises with income, and arts patron households have a much higher WTP than all households. WTP rises with on-site use factors such as frequency of attendance. The WTP also rises for arts patrons households with off-site use such as watching arts events on television or reading about the arts in newspapers and magazines.  相似文献   

Thirty Years On: A Study of Former Pupils of a Special School     

Eric Atkinson 《British Journal of Special Education》1984,11(4):17-24

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The origins of the University Grants Committee   总被引：2，自引：0，他引：2  

Eric Hutchinson 《Minerva》1975,13(4):583-620

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A contribution to the dialogue on African universities     

Eric Ashby 《Higher Education Quarterly》1965,20(1):70-89

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Availability of accessible publications: designing a methodology to provide reliable estimates for the Right to Read Alliance     

Lockyer S  Creaser C  Davies JE 《Health information and libraries journal》2005,22(4):243-252

OBJECTIVES: To establish reliable estimates of the proportion of books available in formats accessible to visually impaired people; to recommend a practical method of updating the estimates. METHODS: The project had two stages. Stage one estimated the overall availability of all categories of books. The British National Bibliography (BNB) for 1999-2003 was chosen as the sampling frame. A sample of 2069 titles over the 5 years was selected using a systematic sample design. These titles were then checked for availability against the catalogues of four major producer/suppliers of materials in accessible formats. The second stage involved checking the availability of books in six genres; about 400 titles for each genre were examined. RESULTS: Of the titles selected for the overall estimate, 92 (4.4%) were found to be available in one or more accessible formats. Availability of titles in accessible formats varied greatly between categories. Adult fiction had the highest number of available publications (26.3%), least represented were cookery (1.9%) and gardening (1.8%). CONCLUSIONS: This study provided baseline figures and a methodology for the Right to Read Alliance to monitor their progress in campaigning for more books to be accessible to visually impaired people.  相似文献